Mutant Blast –Detonation

Hutch explodes all over the new Mutant Blast EP…..

Although they only finalised their line up in 2020, Finish death n’ rollers Mutant Blast have a distinctly mature sound. Detonation maybe their first EP but there is plenty to get stuck into in the blasting 22 minutes which five full songs as well as an atmospheric intro.  

It’s clear from the start that Mutant Blast draw from a wide range of influences, from the power and drive of Motörhead to the ferocious death metal of Entombed and the raw black metal of Venom. The sound is harsh and raw, with opening track Break the Wheel an uncontrollable and feisty rager that explodes from the opening bars and doesn’t slow down – in fact there is a frantic pace which appears to increase as the track progresses.  

Vocalist Tomi Malinen, who also adds guitar has a gnarly delivery which suits the band’s chaos driven style. There is a bigger, more intense feel to Blades of Steel, but the track soon breaks out into another all-out aural assault. This is music to which one must break speed limits, such is the grip that it establishes on the listener. In the live arena, bones would be broken in the pits, with the underlying groove combining with a visceral slice of thrash that surely will appeal to most metal fans.  

There’s more than a whiff of Chrome Division in the band’s style, with the dramatic Grave Insanity, with its huge riffs and boot print of a stomp bringing a different feel whilst March of the Dead reverts to a more traditional thrash approach, all raging riffing and pounding drumming and a nice bit of Slayer thrown in for good measure. 

This is an EP that is well worth a listen if you like your thrash blended with a gritty, old-school mix of influences. The band comprise lead vocalist and guitarist Tomi Malinen, guitarist Toni Huhtiniemi, bassist Juha Lähde and drummer E-S Kuikka and are yet another example of the hot bed of metal that is Finland.  

Detonation was released on the 10/09/21 and is available via BandCamp

Daily Insanity – Chronicles of War 

Hutch checks out the new album from German Thrashers Daily Insanity, here’s what he thinks…

Germanic thrashers Daily Insanity follow up 2018’s EP Conspiracy with a debut album which is at times straightforward no-nonsense thrash metal in the traditional Teutonic style but which also veers completely away from the template. It’s an album that keeps you on your toes for the entire 42 minutes. 

Plenty of thick, chunky riffing make the start of the album promising enough. For a three-piece these guys slug out a big sound and the Berlin trio don’t steer far away from their thrash roots on the title track, which is unashamedly part Destruction, part Sodom. The killer riff and pummelling rhythm section continue to fire with passion on It Doesn’t Matter, bassist and vocalist Hans giving a guttural roar or two that fit neatly with the stoic thrash riffs the band drop.  

The first signs of variation appear on Stolen Valor, the use of synths to add atmosphere and depth works well but comes a little out of left field after the explosive opening. There isn’t a lot of pratting around though, as Stolen Valor quickly erupts in a raging thrash inferno, quickly followed by even more aggression on the balls out rager Warchild.  

Marching Drummer utilises the double kick drive of Silvo ‘Gustl’ Baier, who cements the slower, pounding feel of the song with a solid effort, before the Celtic Frost style intro of I Am The Mission provides a doom ridden opening, adding a change in mood and feel which after a classic Kreator passage slows again.  There’s a gentle instrumental, A Lonely Soldier to follow, providing opportunity to catch the breath before the final three tracks burst into flames. The dark Sleepless reverts to a feisty thrasher which leads to the heads down thrash of penultimate track Doomsday, one of the weaker songs on the record with a rather basic delivery and composition. The finale is The Reckoning, a curved ball of a track which allows the temperature to cool. It’s a song that stands out in comparison to the other songs on Chronicles of War, mainly because the vocals are a real struggle. Whilst Hans can do the growling roar, his clean vocals are not strong, and it really is a weak track to conclude a solid if unremarkable release.  

There are flashes of powerful, muscular thrash here but there’s also plenty of rather routine and uninspiring metal which really doesn’t get the listener too excited. That’s not to say it isn’t worth a listen, but I can’t see me coming back to it in the same way I often do to other bands. 

Chronicles Of War was released on the 10/9/21 and is available via BandCamp


Demolizer – Upgrade 

Hutch checks out what the Demolizer lads have been up to…

A tasty refreshed four-track EP from the Danish thrasher which follows on from 2020’s Thrashmageddon, It’s no surprise that this rerecording of Ghoul continues in the gnarly manner of their previous releases with the snarling title track Ghoul a fine way to open the experience. It’s all heads down maniacal carnage before segueing into the thick chugging riffs of Torture Insanity which makes up for in heaviness what it lacks in speed. Guttural vocals are the main tool of Ben Radtleff and he uses his combination of lower octaves with more harrowing screams to impressive effect. 

Torture Insanity is polar opposites to Ghoul, the latter a circle pit inciting maelstrom, whilst for the first two minutes all you can do is slow head bangs but then, holy shit, we are off with a frenetic blast which sees the band let loose – this track should come with a health warning as it’s sheer pace for the remaining couple of minutes could induce cardiac challenges, especially for an old fucker like me who prefers to stand and head bang than risk Achilles tendon damage running with the pack.  

It may only be 16 minutes long, but Demoliser aren’t slowing up with Get Out of My Way doing exactly what it says – get out of the way or risk being hurt! It’s explosive, raw and punishing in equal measure. I can see younger thrash fans absolutely loving this. Even the routine cover of Annihilator’s King of the Kill has a nice blackened thrashy feel which brings the EP to a solid close. It’s more of a sandwich than a sit-down meal, but the filling is sufficient to encourage you to order another, even if it is the same sandwich again. Yum! 

Demolizer – Upgrade is out on the 1st October via the following pre-save links and Mighty Music Store

Orange Goblin – Healing Through Fire (RE-ISSUE)

Paul Hutchings gives the re-issue of Healing Through Fire the once over… yes it’s Orange Fuckin Goblin!!…..

Few bands kick so hard, so consistently as the UK legends that are Orange Goblin. Formed in 1995 under the name Our Haunted Kingdom, their first release was a seven-inch split with Electric Wizard. Their sound changed from the stoner blues style of their first three albums on 2002’s Coup De Grace and by the time they arrived at album number six, Healing Through Fire in 2007, the band had incorporated those original sounds into a much more aggressive and heavy sound. That’s not to say that those roots were ignored, as one can hear on tracks like The Ballad of Solomon Blues which opens the album or the sprawling almost psychedelic workout on Beginner’s Guide to Suicide which closes the album. The latter showing just what a brilliant guitarist Joe Hoare is.   

Sandwiched between are some mighty slabs of heavy metal. There’s the biker size ten stomp of The Ale House Braves, the riff-laden Hot Knives and Open Sores and the bone crushing They Come Back (Harvest of Skulls) which remains in their setlist today.  

This release contains the original album and a plethora of goodies that many fans will not have encountered before. The four tracks from the Radio 1 Rock Show session are as boisterous as you’d expect, with the inclusion of a monstrous Scorpionica from The Big Black and Blue Snow from 1998’s Time Travelling Blues. The three demos aren’t particularly of interest to me, but they show the huge sound the band achieve in the studio. And there’s a cover of The Damned’s New Rose which is given the Goblin once over as well.  

The second CD contains Goblin in full live flow. Recorded at the Mean Fiddler in 2006, this is the audio recording of the DVD that accompanied the limited edition of Healing Through Fire when it was first released. The sound quality is dreadful, a muffled production suggesting the mixing desk was in the toilets, but it does capture the essence of the band in the environment they excel. If you’ve seen OFGB live, there are few surprises. Ben Ward is full on, cajouling and encouraging the audience to engage in “chaos, motherfuckers”. The band are heavier than the proverbial bag of anvils, and it sounds like a raging show. The track listing reflects the band at the time, with plenty of older songs spread through the 11-track set list. A selection of band commentaries has been spliced onto a couple of the songs, which I imagine is from the original DVD. (It doesn’t work particularly well on the audio version, disrupting the live flow of the gig.)

Overall, the rarities on disc one are probably of more interest, although live versions of Hot Magic, Red Planet and Round Up the Horses are well worth a listen. Ultimately, if you love Orange Goblin, you’ll be ordering this double CD. If you don’t, and I know one friend who famously said he’d rather “suck the sweat from a dead man’s balls” than watch OFGB, then Healing Through Fire probably won’t be on the shopping list.  

Orange Goblin re-release Healing Through Fire via Cherry Red Records this Friday the 20th August

Anthrax – 2022 Tour Announcement

Still celebrating their 40-year tenure as one of music’s premier thrash metal bands, Anthrax announces their first European/UK tour since the summer of 2019. Kicking off on September 27th 2022 in Birmingham, UK, the band will play 28 dates in 16 countries, wrapping up in Zurich, Switzerland on November 5th. Crossover thrash band Municipal Waste will support on all dates.  

“It sure has been a long time since we rock’n’rolled in the UK and Europe,” said Anthrax’s Charlie Benante“but we’re coming back soon to bring the noise to all of you guys. Being that we can’t get over there until 2022, we’re going to make sure that every show will be an eventful one. We won’t just be playing four decades of songs to celebrate our ongoing 40th anniversary – hey, we’ll be giving YOU some history! – but we just might have some brand new ones for you as well. Can’t wait to see all your happy, smiling faces!!!”

On this tour, fans can expect Anthrax – Joey Belladonna/vocals, Scott Ian/rhythm guitar, Frank Bello/bass, Charlie Benante/drums, and Jon Donais/guitar – to draw from all four decades – fan favourites and deep cuts –  for their nightly setlist.

“There’s just something special about Europe,” said Belladonna. “Our fans there have always had a full-fledged excitement about our shows, and I enjoy performing more than anyone can imagine, so we’re really looking forward to this tour.”

Tickets will go on sale this Friday 20th August at 10am BST here:

ANTHRAX – UK/European Tour 2022
w/ Special Guests Municipal Waste

27.09.22  UK  Birmingham @ O2 Academy
29.09.22  UK  Manchester @ Academy
30.09.22  UK  Glasgow @ O2 Academy
01.10.22  UK  Newcastle @ O2 City Hall
03.10.22  UK  Leeds @ O2 Academy
04.10.22  UK  Nottingham @ Rock City
06.10.22  UK  Bristol @ O2 Academy
08.10.22  UK  London @ O2 Academy Brixton

10.10.22  BE  Brussels @ Ancienne Belgique
11.10.22  NL  Tilburg @ 013
13.10.22  FR  Paris @ Bataclan
14.10.22  DE  Oberhausen @ Turbinenhalle
15.10.22  DE  Leipzig @ Werk 2
17.10.22  DK  Copenhagen @ Vega Main Hall
18.10.22  SE  Gothenburg @ Tradgarn
19.20.22  SE  Stockholm @ Annexet
21.10.22  FI  Oulu @ Tullisali
22.10.22  FI  Turku @ Logomo
23.10.22  EE  Talinn @ Kultuurikatel
25.10.22  PL  Warsaw, @ Stodola
26.10.22  DE  Frankfurt @ Batschapp
27.10.22  DE  Stuttgart @ LKA Longhorn
29.10.22  CZ  Brno @ Sono
31.10.22  HU  Budapest @ Babra Negra
01.11.22  HR  Zagreb @ Culture Factory
02.11.22  AT  Vienna @ Arena
04.11.22  IT  Milan @ Alcatraz
05.11.22  CH  Zurich @ Komplex   

Paradox – Mountains & Caves Video

Back in 1989 German Thrash/Speed Metallers Paradox released the classic album Heresy, well they are back to continue the sage with Heresy II

Check out the video to the new single Mountains & Caves, and stay tuned for our full review before release day for the rest of the album…and read the label release (or some of it) below the video

When today’s Thrash Metal classic ‘Heresy’ was released in 1990, the world was different. The internet was nearly unknown. Mobiles were as big as buffalo bones. Wacken Open Air was a party for the village louts. These are stories from a long forgotten time. But Charly Steinhauer and his band Paradox are still here and release the upcoming thrash classic “Heresy II – End of a Legend” with a brand new line up. 

Musically and lyrically, “Heresy II – End of a Legend“ starts where the first part ended in 1990.

After a longer lean period, fans can expect 75 minutes of finest melodic trash metal on “Heresy II – End of a Legend“ which sounds even in the year 2021 as fresh and new as in its commercial heydays at the end of the 1980s. On September, 24th the time has come: The Return of Thrash with Class!

You can pre-order (Digipak, ltd. Vinyl) here:

Korrosive – Kaustic Hordes

Canadian Thrash, often the bridesmaid to its North American neighbour, but time after time our Maple syrup smoking’ cousins produce some killer new music that just makes us want to get upside down in a pit.. and the debut album from Toronto thrashers ‘Korrosive’ is one such release….

Now most people know I like my modern thrash towards the blackened death end of the spectrum, and ‘Kaustic Hordes’ delivers that deathly tone in spades, melting of the faces of passers by with breathtaking ease!

Opener ‘Slaughter The Preacher’ teases you for a few bars of acoustic chords, until the heavy, rains down as the first track on the album starts to punch you in the face with riff after riff of punishment and then the guys continue with riff after riff, drum beat after drum beat of thrash excellence.

Through ‘Burning Earth 2029’ into the chaos inducing ‘Terminal Violence’ through ‘Khaotic Evil’ and ‘Vitrolism’ the climbing guitars and guttural vocal raw keep the mini moshers in my head gritting their teeth and banging their heads and the pit is unleashed as ‘Hijo de Puta’ sends even this silly old fucker over the edge into a full on old school moshpit frenzy at least for the 3 and a half minutes that it lasts I die… whichever happens first!

‘Acidized’ completes the first 7 short sharp shocks of metal, and at 38 minutes for 8 tracks, there is no room for fucking about, with the final song ‘Septic Messiah’ being the only track to push over the 4 and a half minute barrier, with a 9 minute monster, that still delivers the blisteringly heavy and mosh pit inducing breakdowns

I usually like to spend a bit longer with an album before smashing out a review, but I have enjoyed this on repeat for most of the day and didn’t want to miss out on sharing what is a killer debut release…

Released on Friday the 13th August… BUY NOW on BANDCAMP or stream it in all the normal places, but don’t let this pass you by, as these guys deserve to be heard!

ukthrashers – Orange Goblin

In this weeks episode we catch up with Ben from Orange Goblin & Route One Booking and talk about being a man mountain, the re-issue of Healing Through Fire, the new line up, gigs in ‘The Yard’ touring post Brexit and loads more

We have music from – Elimination – Victims By Design

Invator – Deathtrap For An Execution

Orange Goblin – Vagrant Stomp

Maze Of Terror – Priest Of The Ancient Ones

Trapped In Purgatory – Spit It Out

Killing – Don’t Get Mad..Get Evil

Checkout the episode below or subscribe in Spotify or Apple Podcasts

Elimination – Victims By Design

Our pals in Elimination have broken cover early with the first new track and video from their upcoming album ‘Echos Of The Abyss’ check out the single ‘Victims By Design’ on Youtube Below

Pre-Order the album from their Big Cartel Shop as you will NEED this album.. its already spinning on the review decks in the Thrash Dungeon!!

Directed and Produced by Eric Revill-Dews FX: Elle Bryden and Alice Nichols

The Cultist- Leigh Pettit

The Crucified- Mick Jackson

With thanks to: Chris Williams, Jo Jackson, Joe McNeice, Jarrad Lee, Lauren Hilary and Steve and Elaine Hill

Music by David Hill and Leigh Rumsby

Lyrics By Neil Stevens

Mixed and Mastered by Jack Helliwell

Filmed on location in Norwich, UK.