Gareth reviews the new Album by Elimination, here’s what he thinks…..
I first got into Elimination last year when I had the pleasure to review their comeback EP ‘Of Gods and Beasts’, and whilst researching for that release, I soon discovered that they had been very active previously, with two full length albums already under their belts, ‘Destroyed by Creation’ and ‘The Blood of Titans’. And now almost 10 years on, it’s a huge delight to be reviewing album number three, the rather splendid “Echoes of the Abyss”.
Those of you who are already familiar with the band will already know, they aren’t quite the same beast as they were 10 years ago, with Neil Stevens (vocals and bass) the only member left from the original line-up, now he’s joined by guitarists David Hill and Leigh Rumsby, The continuity from those early albums is continued, mainly with Neil’s distinctive bark, he’s an excellent thrash vocalist, he’s aggressive, and almost spits the words out, yet at the same time there’s plenty of melody and the diction is so clear you can pick out the majority of the lyrics with relative ease, Leigh and David do differ from the original guitar duo, in that for me they employ a bit more melody in the lead work, perfectly syncing during the solos, and more dynamic in the riff department.
Let’s dive into the album then, first track ‘Disciples of the Beast’ is an absolute fantastic opener, starting with a simple, yet ominous melody plucked out with a an acoustic guitar, with a beautiful building dual lead in the background, this continues to grow and while the acoustic fades, and with a 1, 2, 3 drumbeat, the song cuts in, the two guitars, complimenting each other yet pulling in completely different directions, it’s a terrifically ambitious start, and highlights both the confidence and maturity the band has gained in the last twelve months. The meat of the song powers along on a driving main riff, which shifts slightly into the bridge, before throttling back for the chorus, which I guarantee will be shouted back with glee in the live setting, and then they even have time for a Maiden inspired instrumental section, with a great solo and wonderfully melodic harmony parts. Terrific opener.
‘Black Wings’ sees the band really stepping on the accelerator, starting fast and escalating during the bridge, there’s even some blast-beating greatness before the chorus, another one that’s going to stick long in the brain, and the ending to the solo piece is just chaotic greatness. ‘This is War’ is a bit groovier with a cool bouncy feel to the riffing, and has a guest vocal slot from Aaron from neighbours Shrapnel (get well soon buddy) who adds a slightly blackened bark into the proceedings.
This is a seriously good album, it also sounds great, and you’d never guess they are a drummer down, whoever has done the programming for the tubs, needs a weighty pat on the back, and also the drum sound is immense. Add to that the guitar tone, it’s aggressive and heavy yet clear as a bell, when you use as much melody as these two, you need a seriously good sound. Neil’s vocals are nicely placed as well, and my only complaint is the bass is perhaps a little bit lost.
Onwards we go, ‘Damaged’ literally throws itself out of the speakers, and is a real shred fest, and not just with lashings of tight riffing, I’m talking about seriously good lead & loads of harmonies. We are already familiar with ‘Victims by Design’ which being the shortest track is a perfect pick for the lead single. Strange feedback and a brief news announcement introduce ‘The Nameless City’ which for the most part is a fiendishly up-tempo brute, that has some serpentine melodies and a section that shuffles along on an unnerving syncopated beat, before the chase to the finish, ‘Blind Leading the Blind’ cuts in straight from the outset, and sees the band slow down a touch, at least for the chunky chord lead chorus, with some heavy muted parts, but contrasted nicely by some clean dynamics.
Then to finish off we have the epic ‘Infernal’, the band’s most ambitious track up to this point, commencing with an acoustic beginning, the song builds and builds, lots of different sections, and more classy solos, parts segue seamlessly from one to the other, and a cracking climatic crescendo before a lull before the ending storm, and a brave and surprising end. What a tremendous climax to a supremely impressive album. If you like thrash, but with plenty of melody, top notch song writing and a bit more than your average release, then this is an album that you need to check out. This is so good it’s gone straight in as my album of the year so far, and it’s going to take something ridiculously good to knock it from the top spot. Absolutely stunning.
Pre Order NOW – https://elimination.bigcartel.com
Echoes Of The Abyss is released on 29/10/2021